Autobiography Of Mark Twain, Volume 2 PDF Free Download

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  1. Free download or read online The Mysterious Stranger pdf (ePUB) book. The first edition of the novel was published in 1916, and was written by Mark Twain. The book was published in multiple languages including English, consists of 121 pages and is available in Paperback format. The main characters of this classics, fiction story are,. The book has been awarded with, and many others.
  2. It includes a brief introduction describing the evolution of Mark Twain’s ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming Autobiography of Mark Twain, Volume 2—a controversial but characteristically humorous attack on Christian doctrine.
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Twain's Letters vol 2 1867-1875. Twain's Letters vol 2 1867-1875. This book is available for free download in a number of formats - including epub, pdf, azw, mobi and more. You can also read the full text online using our ereader. A Burlesque Autobiography. Autobiography of Mark Twain Volume 2 Book Description: Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain’s career.

Twain in 1906. It was around this time that the majority of the Autobiography was written.

The Autobiography of Mark Twain is a lengthy set of reminiscences, dictated, for the most part, in the last few years of the life of American author Mark Twain (1835–1910) and left in typescript and manuscript at his death. The Autobiography comprises a rambling collection of anecdotes and ruminations rather than a conventional autobiography. Twain never compiled these writings and dictations into a publishable form in his lifetime. Despite indications from Twain that he did not want his autobiography to be published for a century, he serialised some Chapters from My Autobiography during his lifetime and various compilations were published during the 20th century.[1] However it was not until 2010 that the first volume of a comprehensive collection, compiled and edited by The Mark Twain Project of the Bancroft Library at University of California, Berkeley, was published.

Twain's writings and dictations[edit]

Twain first started to compose an autobiography in 1870, but proceeded fitfully, abandoning the work and returning to it as the mood took him, amassing around 30–40 of these 'false starts' over the next 35 years.

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The bulk of the autobiography was dictated rather than written directly—this was described by a 2010 reviewer as '[having] a secretary follow him around and take down his every passing thought'.[1] In a 1904 letter to William Dean Howells, he wrote: 'I’ve struck it! And I will give it away—to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography.'[2] These dictations were made frequently in 1906 and 1907. Twain then seems to have let the book languish; in 1908–9 he hardly added to it at all, and he declared the project concluded in 1909, after the death of his youngest daughter Jean. His innovative notion—to 'talk only about the thing which interests you for the moment'—meant that his thoughts could range freely. Twain thought his autobiography would be most entertaining if he went off on whims and tangents in non-sequential order.[3]

Twain's papers, including the autobiographical works, were left as part of a trust for the benefit of his surviving daughter, Clara Clemens.[4] These papers passed through the control of a number of editors, and have, since 1971, been held by the Bancroft Library, at the University of California, Berkeley.[4]

Plans for posthumous publication[edit]

Writings by Twain show intent for the majority of the material to be published posthumously. In an interview for The Times in 1899, Twain was reported to be considering a work which would be unpublished for a century.[5]

Twain wrote instructions for future 'editors, heirs and assigns' in 1904. In these he celebrates that posthumous publication allowed him to speak with his 'whole frank mind.'[6]These also outlined a century-long plan of publications 25 years apart, with progressively more potentially controversial material included.[6] In the introduction to the second edition of Mark Twain's Own Autobiography: The Chapters from the North American Review, the scholar Michael Kiskis suggests that these delays were less due to Twain's (purported) concern for those who could be aggrieved by the text, and more likely an attempt to extend the copyright.[6]

Various modern reports refer to a '100 year embargo' imposed by Twain on his own autobiography's release which expired in 2010.[7]

20th century publications[edit]

1924 edition

Twain himself had published Chapters from My Autobiography in twenty-five instalments in the North American Review in 1906-7.[8][9] Since Twain's death in 1910, a number of different editors have made attempts to impose some order on the whole of the material by selection and reorganization, producing several decidedly different published versions of The Autobiography. Creating a publishable Autobiography from the disorganised mass of Twain's unpublished writings has proven to be a significant challenge, and access to the physical materials of Twain's papers was, for the first half-century, greatly limited to just small numbers of scholars.[4]

The partial Autobiography was published in 1924 by Harper & Brothers, consisting of about two-fifths of the material. It was compiled by personal friend and literary executor Albert Bigelow Paine, who at the time had exclusive access to Twain's papers.[4]

Editor and historian Bernard DeVoto succeeded Paine as literary executor for the Clemens estate, and used his access to the material to produce four book collections of Autobiography material: Mark Twain in Eruption (1940), The Portable Mark Twain (1946), Mark Twain at Work (1952), and Letters from the Earth (1962). The much-delayed publication of the latter was due to objections from Clara Clemens.[4]

Two publications were made from re-arrangements of previously published work. In 1959 Charles Neider rejected both Paine's in-order-of-creation and DeVoto's arranged-by-topic approaches and rearranged material to match the chronology of a standard autobiography. In 1990 (republished February 2010) scholar Michael Kiskis edited Mark Twain’s Own Autobiography: The Chapters from the North American Review.[6]

Mark Twain Project edition[edit]

Volume 1 of The Mark Twain Project edition

The Mark Twain Project of The Bancroft Library undertook to produce a complete autobiography of Twain, based upon material within their collection. The stated goal is 'to publish the complete text as nearly as possible in the way Mark Twain intended it to be published after his death.'.[10] This was published in three-volumes between 2010 and 2015, with the first in the 100th anniversary year of Twain's death.[11][12][13] All three volumes are available online with introductions and historical annotation from the editors also included with the text.[14] The head editor for this work was Harriet Elinor Smith.

The first volume of a three-volume edition runs to 760 pages. It includes introductory material explaining how Twain's autobiography was written. Then follows Twain's early, fragmentary attempts at writing it; and the text of his autobiographical dictations (the main series), beginning on 10 January 1906. Volume 1 collects these up until 30 March 1906.[10]

Volume 2 was published in October 2013 and runs to 736 pages. This collects dictations from 2 April 1906 until 28 February 1907.[15]

Autobiography Of Mark Twain, Volume 2 PDF Free Download

The third and final volume of the Mark Twain Project edition was published in October 2015. It contains 792 pages with entries dated from 1 March 1907 to 21 October 1909. Twain's autobiography closes with a piece written in December 1909 where he laments the death of his daughter Jean and declares that, with her, his motivation for writing the autobiography has died.[16]

Suffixing the third volume is the 429-page 'Ashcroft-Lyon Manuscript' written in 1909. In this Twain attacks his secretary, Isabel Lyon, and business manager, Ralph Ashcroft, for alleged embezzlement of money from the author and for manipulation of Twain's relationship with Jean, much to her distress.[17] It takes the form of a letter to William Dean Howells, though it was never sent nor intended to be so. It was not intended by Twain to include this as part of his autobiography, and it had never been published prior to 2015 — though it had been available to scholars as part of his papers.[17] The 21st-century editors considered it sufficiently important to include within this publication.[17]

Copyright status[edit]

The version published in 2010, representing Twain's attempts from 1906 and earlier, would have entered the public domain by 2021 under ordinary circumstances. The state of the law at the time of his death notwithstanding, the 1976 revision provided that unpublished works created before January 1, 1978 would have entered the public domain by 2003. However, the publishers, the Mark Twain Foundation and the University of California Press, published the 2010 version in secret on microfilm in 2001, selling all three upcoming volumes for $50,000. Because of this, the 2010 version bears copyright marks for 2001 and 2010, and will not enter the public domain until 2047, 137 years after Mark Twain's death. David Bollier criticized the Foundation and UC Press for this move, saying, 'So is the argument that academic presses have a special entitlement to game the usual terms of copyright law because they are doing God's work as academic presses? Copyright industries frequently inveigh against the 'theft' of sharing copyrighted works online, solemnly intoning that 'the law is the law.' So is a theft not a theft when the victim is the public, and not a private copyright holder?'[18]


  1. ^ abAdams, Tim (2010-11-21). 'The Autobiography of Mark Twain – review'. the Guardian. Retrieved 2018-07-30.
  2. ^Cox, James M. (November 2002). Mark Twain: The Fate of Humor (Mark Twain & His Circle). University of Missouri Press. p. 295. ISBN978-0-8262-1428-7.
  3. ^Dobson, James E. (2014). 'Mark Twain, Memory, and the Failures of Historicism'. Mark Twain Annual. 11 (1): 62–76.
  4. ^ abcde'Project History'. Mark Twain Project. Retrieved 2 August 2018.
  5. ^Twain, Mark (2010). Autobiography of Mark Twain, Volume 1: The Complete and Authoritative Edition. University of California Press. p. 16. ISBN9780520946996. This is a work which is only to be published 100 years after his death
  6. ^ abcdTwain, Mark (2010). Mark Twain's Own Autobiography: The Chapters from the North American Review. Univ of Wisconsin Press. ISBN9780299234737.
  7. ^Glor, Jeff (17 October 2010). 'Dead 100 years, Mark Twain lets loose'. CBS News. Retrieved 2 August 2018.
  8. ^Twain, Mark (September 7, 1906). 'Chapters from My Autobiography. - I.'The North American Review. 183 (598): 321–330. JSTOR25105618. Retrieved December 7, 2018 – via Internet Archive.
  9. ^'Mark Twain's own autobiography: the chapters from the North American review', Google Books. Retrieved 2010-05-27.
  10. ^ abMark Twain Project . 2010, 2008. Autobiography of Mark Twain, Volume 1.
  11. ^Churchwell, Sarah (2010-11-01) 'Mark Twain: Not an American but the American', The Guardian. Retrieved 2010-11-01.
  12. ^'Mark Twain's Autobiography, Finally Released'. CBS News. May 24, 2010. Retrieved August 13, 2010.
  13. ^Mark Twain Project Online (2010-11-01) 'Mark Twain Papers & Project: A Brief History'
  14. ^'Mark Twain Project :: Writings'. Retrieved 2018-07-30.
  15. ^University of California Press Autobiography of Mark Twain, Volume 2
  16. ^Autobiography of Mark Twain, Volume 3. Mark Twain Project of The Bancroft Library. 2015.
  17. ^ abcGagel, Amanda. 'Letters as Critical Texts: A Consideration of Mark Twain's 'Ashcroft-Lyon Manuscript''. Scholarly Editing: The Annual of the Association for Documentary Editing. Retrieved 30 July 2018.
  18. ^Bollier, David (2010-11-29). 'Mark Twain's Final Copyright Crusade'. Retrieved 2018-08-28.

External links[edit]

  • Autobiography of Mark Twain at Standard Ebooks
  • Mark Twain Project edition: Volume 1, Volume 2, Volume 3
  • This is Mark Twain, combines video slideshows, images, interviews with the editors and other Mark Twain scholars, and audio clips of excerpts, to explore the Autobiography of Mark Twain.
  • Chapters from my Autobiography public domain audiobook at LibriVox
Retrieved from ''

Autobiography Of Mark Twain Volume 2

'The great American author, aided by his scholarly editors, continues to spin out a great yarn covering his long life. . . . Twain admirers will find this volume indispensable and wil eagerly await the third volume.' —STARRED REVIEW, Kirkus Reviews

'On [my] list, and that of other buyers, is what could well be one of the biggest books of the fall season, the second volume in Mark Twain’s autobiography from the University of California Press.' —Geoff Nichols, university presses buyer at University Book Store in Seattle, Publishers Weekly, The Big Indie Books of Fall 2013

Autobiography Of Mark Twain, Volume 2 PDF Free Download

Autobiography Of Mark Twain Volume 3

Praise for Volume 1:
“It feels like a form of time travel. One moment you’re on horseback in the Hawaiian islands — or recovering from saddle boils with a cigar in your mouth — and the next moment you’re meeting the Viennese maid he called, in a private joke, ‘Wuthering Heights.’ We can hardly wait for Volume 2.”—New York Times
“Twain's autobiography, finally available after a century, is a garrulous outpouring—and every word beguiles.”—Wall Street Journal
“I start reading Twain’s Autobiography at any page and don’t want to stop, for the sheer voluptuous pleasure of the prose.”—Roger Ebert
“Mark Twain is his own greatest character in this brilliant self-portrait. . . . Laced with Twain's unique blend of humor and vitriol, the haphazard narrative is engrossing, hugely funny, and deeply revealing of its author's mind. . . . Twain's memoirs are a pointillist masterpiece from which his vision of America--half paradise, half swindle--emerges with indelible force.”—Publishers Weekly
“Dip into the first enormous volume of Twain’s autobiography that he had decreed should not appear until 100 years after his death. And Twain will begin to seem strange again, alluring and still astonishing, but less sure-footed, and at times both puzzled and puzzling in ways that still resonate with us, though not the ways we might expect.”—Edward Rothstein, New York Times
“When Twain dictated his memoirs, he said he wanted to speak his whole, frank mind. But he didn't want the full text published until he'd been dead 100 years, ‘unaware and indifferent.’ With the uncensored Twain finally here, we're the furthest thing from indifferent.”—Time Magazine
“Sometimes the autobiography seems Twain’s letter to posterity. At other times, reading it feels like eavesdropping on a conversation he is having with himself. . . . This first installment of Twain’s autobiography brings us closer to all of him than we have ever come before.”—New York Review of Books
“. . . The merit of the autobiography is its revelation of every facet of Samuel Clemens – how modern a figure he is, and how topical his concerns. Take the polemical verve of Christopher Hitchens. Toss in the fun-poking news instincts of the American broadcaster Jon Stewart. Add the traveller's curiosity and gentle wit of a Bill Bryson, plus the raw energy of Ernest Hemingway, and then stir in an entire Oxford dictionary of aphorisms, and you start to get an approximation of a man who spanned virtually every literary genre – and in the process became one of the most quoted (and misquoted) writers to walk the earth.”—The Independent
“The Autobiography, as it begins here, is richly humorous, self-deprecating (if not always in earnest), full of anecdotes about great and small. . . . The meandering, the discursiveness, the parentheses promising the later resumption of a story (‘And some time I wish to talk about that’), the mockery (desolate at bottom) of pretension, all these distinguish this first volume. We will have to mark time until there is more, but the wait is bound to be worthwhile. It's been a century coming, after all.”—The Australian